La Femme au Canapé
1930
Portraiture
Oil on canvas
Musée de Beaux-Arts de Montréal, Québec, Canada
‘La Femme au Canapé’ reveals van Dongen at the height of his career as a society portraitist. In alliance with Paul Poiret, van Dongen was working the circles where money was paid in making others look good. The unidentified sitter, enveloped in fur, her bird-like features and androgynous frame epitomizing the feminine allure of the 1930s. her head is thrown back as if she is in a moment of private fantasy and her relaxed hand and fingers brushing the decollate add to the auto-erotic ambiance.
Kees van Dongen
Fauvism, Expressionism
Born: 26 January 1877, Delfshaven, Netherlands
Nationality: Dutch-French
Died: 28 May 1968, Monet Carlo, Monaco
Van Dongen was a painter and one of the leading Fauves. His early work was often influenced by the Hague School and symbolism evolved in a rough pointillist style and became more radical in the use of colour and form. Van Dongen is known for his sensuous, sometimes garish, portraits of women