Gerontion by TS Eliot

Gerontion
1920

Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both.

Here I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the Jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.
I an old man,
A dull head among windy spaces.

Signs are taken for wonders. “We would see a sign!”
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger
In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;

By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fräulein von Kulp
Who turned in the hall, one hand on the door. Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.

After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What’s not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what’s thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.

The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use them for your closer contact?
These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.

Tenants of the house,
Thoughts of a dry brain in a dry season

TS Eliot

TS Eliot
Born: 26 September 1888. Missouri, USA
Nationality: British-American
Died: 4 January 1965, London, England

Eliot was an essayist, publisher, playwright, poet, literary critic, and editor. He is considered to be among the major poets of the 20th century and a central figure in English-language Modernist poetry. Eliot was born in Missouri and moved to England at the age of 25 where he settled, worked and married. In 1927, at aged 39 he renounced his American citizenship and became a British citizen

Mist of Mystery

Mist of Mystery
Form: Epistle
Theme: Love
Subject: The Forest

Deep in the forest
beyond the sunlight
where angels dare not go
he is dancing
in the wild frenzy of his passion
the scent of his sweat flowing
as he strips down
the steam from his flesh fills the air with musky mist
and he raises his arms
his hands open to the lunar light
he calls out her name
inviting her again and again
come, come my angel of the night
until she comes to stand before him
and as he turns she sees his face
the face of the beast
his eyes piercing with darkness
and his horns curling over his head
come, come my angel
come with me into the mist of mystery
and taking her hand he leads her
into the abyss of night
into her final rapture

©JGFarmer2022

La Chimère Pie by Kees van Dongen

La Chimère Pie by Kees van Dongen

La Chimère Pie
1895
Expressionism
Oil on canvas
National Museum of Monaco, Monaco

Painted when van Dongen was 18 years old ‘La Chimère Pie’ is a free representation of a mythical hybrid creature – between a horse and a bird – launching into the sky. Rendered with energetic outlines, reminiscent of cave painting, van Dongen used a subdued colour palette typical of the Dutch tradition.

Kees van Dongen

Kees van Dongen
Fauvism, Expressionism
Born: 26 January 1877, Delfshaven, Netherlands
Nationality: Dutch-French
Died: 28 May 1968, Monet Carlo, Monaco

Van Dongen was a painter and one of the leading Fauves. His early work often influenced by the Hague School and symbolism evolved in a rough pointillist style and became more radical in the use of colour and form. Van Dongen is known for his sensuous, sometimes garish, portraits of women