Nue Couchée
1969-70
Sculpture
Cotton textile, cardboard, 7 table tennis balls, wool and thread
Tate, London, UK
A sculptural piece, Nue Couchée introduces Tanning’s weighty, contorted, and headless figures. The work stands in defiant subversion to the languid reclining female sitter of classical painting, confronting outdated fantasy projections of the female body by presenting a woman entangled by complex and invisible interior psychic forces.
Dorothea Tanning
Surrealism, Installation Art, Proto-Feminist Artists, Modern Sculpture
Born: 25 August 1910, Illinois, USA
Nationality: American
Died: 31 January 2012, New York, USA
Tanning was a painter, printmaker, sculptor, writer, and poet. Art pervades much of Tanning’s life; her images, objects, and texts have become worthwhile art and her very presence transformed photographs and moments in time to make them more artistic. The whirlwind energy that followed Tanning as a person is found in her brushstrokes. Tanning’s complete oeuvre is dominated by her unstoppable life force characteristics. Her ideas were too big for rural Illinois so Tanning left for Chicago and then New York. In New York she found both the style and company that she identified as a Surrealist. She also married Max Ernst. Tanning meticulously depicted her own dreams throughout her long career. This psychological exploration of self continued as he work developed into the more abstract and sculptural.